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Daniel Smail, The Imagined Space of the Late Medieval Household

 

Digital Approaches to Cultural Heritage: Keynote 1

In his reflections on the spatial dimensions of inventories, Daniel Smail (Harvard) presented the collaborative and interdisciplinary project DALME (Documentary Archeology of Late Medieval Europe). It is a partner of the network and, like the much larger Europeana initiative, dedicated to the basic idea of making cultural heritage accessible to scholars and the public. DALME offers an online platform with digitized collections of inventories. The information obtained from the inventories is processed there for various search requirements and research interests, which in turn enable comparisons of the material equipment of European households across different regions and time periods. The platform pursues a decidedly open approach and invites researchers and institutions to make their material accessible.

Ausschnitt aus Digital Approaches to Cultural Heritage 2024-Plakat; © Schloss Runkelstein (BZ/IT) | Grafik Cornelia Paris

Resources & Tools

Elisabeth Anna Tangerner, Tagungsbericht: Digital Approaches to Cultural Heritage: Perspectives and Challenges, in: H-Soz-Kult, 07.01.2025, https://www.hsozkult.de/conferencereport/id/fdkn-152044. (conference report)

Karoline Döring: Digital Approaches to Cultural Heritage. Perspectives and Challenges. Projekttagung über den Einsatz digitaler Methoden zur Erschließung von europäischem Kulturerbe, 19.–20. September 2024 in Innsbruck, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://doi.org/10.58079/13fn7 (general review).

For further information see the conference website.

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Berichte

Digital Approaches to Cultural Heritage – Perspectives and Challenges

The third conference of the network took place in Innsbruck in September 2024

After Materiality and Virtuality (2023) and Sinnlich-übersinnliche Dinge (2024), the third conference of the network was dedicated to the topic of Digital Approaches to Cultural Heritage. It was organized on 19 and 20 September 2024 at the Claudiana in Innsbruck by Christina Antenhofer, Elisabeth Gruber-Tokić, Gerald Hiebel, Ingrid Matschinegg, Claudia Posch, Gerhard Rampl and Elisabeth Tangerner. At the same time, this conference was the first major project meeting of INVENTARIA (FWF P 35988-G), a cooperation project of the Universities of Salzburg and Innsbruck to explore the castles of the historical Tyrol under the direction of Christina Antenhofer (Salzburg), Gerald Hiebel (Innsbruck), Claudia Posch (Innsbruck), Gerhard Rampl (Innsbruck) and Ingrid Matschinegg (Salzburg/Krems). Together with colleagues from the “sister project” Hohensalzburg Digital, the members of the project team discussed in Innsbruck the use of digital methods for researching cultural heritage.

As both projects focus on the material culture of the Middle Ages and the Early Modern period, there were many points of contact with the work of the network. Several members therefore also gave presentations in Innsbruck and enriched the professional exchange. Their contributions highlighted the potential of digital methods for researching cultural heritage. They also showed how shared infrastructures enable comparative research into material culture over longer periods of time and across larger geographical regions.

Over the next weeks Karoline Döring will present the contributions of the network members in a series of short summaries on this blog.

Ausschnitt aus Digital Approaches to Cultural Heritage 2024-Plakat; © Schloss Runkelstein (BZ/IT) | Grafik Cornelia Paris

Conference Report

Elisabeth Anna Tangerner, Tagungsbericht: Digital Approaches to Cultural Heritage: Perspectives and Challenges, in: H-Soz-Kult, 07.01.2025, https://www.hsozkult.de/conferencereport/id/fdkn-152044.

General Review

Karoline Döring: Digital Approaches to Cultural Heritage. Perspectives and Challenges Projekttagung über den Einsatz digitaler Methoden zur Erschließung von europäischem Kulturerbe, 19.–20. September 2024 in Innsbruck, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://doi.org/10.58079/13fn7.

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Activities

Monastic Estates in the Wachau Region: Nodes of Exchange in Past and Present Days

Elisabeth Gruber and Thomas Kühtreiber have published an article in the latest special issue of Open Archaeology. This issue was co-edited by Christina Antenhofer, Katherine Wilson and Thomas Pickles under the topic of Engaging the Public, Heritage and Educators through Material Culture Research


Abstract 

In the Lower Austrian part of the Danube region, known as the Wachau, viticulture as an agrarian form of economy was established to a large extent by monastic estates. From the ninth century onwards at the latest, numerous monasteries in Austria, Salzburg, Bavaria, and Bohemia came into possession of vineyards in the Wachau by donation or purchase. Charters, urbaria, and tax lists document the importance of these mostly far-off properties from the beginning of the thirteenth century. Viticulture played a special role in this process. This is even more remarkable because the distances between the monastery and the estates – the so-called “Lesehöfe” – were sometimes considerable, for example, in the case of the Augustinian canons’ monasteries of Herrenchiemsee (Traunstein, Bavaria) and Höglwörth (Berchtesgaden, Bavaria) or the Benedictine monasteries of Prüfening (Regensburg, Bavaria) and Tegernsee (Miesbach, Bavaria) and the Hochstift Freising. These far-off estates served as an interface for the interests of both local and foreign actors, still visible today in the form of surviving buildings and historical documents and objects. As part of a project, the monastery estates and their historical documents were catalogued to establish a basis for an interdisciplinary analysis of the phenomenon. The essential goal of the project was to record the monastic estates as broadly as possible to create a basis for an interdisciplinary analysis of the phenomenon. Basic groundwork was laid to make the various estates available for the interests of cultural tourism within the Wachau World Heritage region.

Abb.: Nikolaihof, Mautern an der Donau. ©Thomas Kühtreiber, 2020

Bibliographic Record 

Gruber, Elisabeth and Kühtreiber, Thomas. “Monastic Estates in the Wachau Region: Nodes of Exchange in Past and Present Days” Open Archaeology, vol. 11, no. 1, 2025, pp. 20240031. https://doi.org/10.1515/opar-2024-0031 

Project Website 

https://www.wachauer-klosterhoefe.at 

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Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project

Christina Antenhofer has published an article together with Ingrid Matschinegg, Walter Brandstätter and Stefan Zedlacher in the latest special issue of Open Archaeology. This issue was co-edited by her, Katherine Wilson and Thomas Pickles under the topic of Engaging the Public, Heritage and Educators through Material Culture Research. 


Abstract 

Hohensalzburg Digital is a Digital Humanities project realized at Salzburg University and dedicated to digitally process and connect room- and object-related information taken from written sources and from building history data on Hohensalzburg Castle. Via digital interfaces, we create the basis for an Austrian Local Time Machine Project on the castle, a popular landmark. In three steps, the project opens up cultural heritage digitally for scientific community and international public alike: (1) The first part is dedicated to digital processing and exploring historical sources on rooms of the castle, their furnishings and function, from the earliest sources dating back to the sixteenth century until 1816 when Salzburg became part of the Habsburg Empire. (2) The second part connects the historical information deduced from the written sources with the results of building research and other work on realia, for example, on the famous tiled stove in the Goldene Stube (Golden Chamber). The digital room book created in this way allows a new comprehensive view on the development, furnishings, and use of the rooms and the whole building as a social space for the people who lived there. (3) The final part prepares the data for incorporation in the Europe Time Machine.

Overlaying 3D model with space syntax algorithm. Screenshot from Rhinoceros software and Space Syntax software. 3D model of the upper first floor of the central palace (Hoher Stock), adapted to the period of the inventories. The colours show the visual integration of the rooms, the arrow annotations give the room names of the respective inventories as they are being worked on. © Stefan Zedlacher, CC BY 4.0

Bibliographic Record 

Antenhofer, Christina, Matschinegg, Ingrid, Brandstätter, Walter and Zedlacher, Stefan. “Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project” Open Archaeology, vol. 11, no. 1, 2025, pp. 20240027. https://doi.org/10.1515/opar-2024-0027 

Project Website  

https://hohensalzburg.digital  

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Activities

Inventories as Keys to Exploring Castles as Cultural Heritage

Christina Antenhofer has published an article together with Elisabeth Gruber-Tokić, Gerald Hiebl, Ingrid Matschinegg, Claudia Posch & Gerhard Rampl in the latest special issue of Open Archaeology. This issue was co-edited by her, Katherine Wilson and Thomas Pickles under the topic of Engaging the Public, Heritage and Educators through Material Culture Research.


Abstract  

This article explores the potential of engaging the public in an ongoing interdisciplinary research project on castle inventories at the universities of Salzburg and Innsbruck. Our aim is to create a digital platform that uses inventories as a key to explore the living conditions in late medieval and early modern castles. In this article, we want to give an initial insight into the research project in terms of the theme of this volume: how the digital platform we are creating will contribute to engaging the public with material culture projects. We start from the hypothesis that inventories are neither objective nor simple lists of things, but products of an inventory practice, with traces of this activity, found both in the texts and in the materiality of the archival records. They contain a wealth of information on relations between things, people, activities, rooms, and the words used for them. We use digital methods of text recognition to interpret a corpus of 130 castle inventories from the fourteenth to sixteenth centuries in the historical region of Tyrol (Austria/Italy) as historical sources and on castles as social spaces. With ontological modelling and deduction from the archival records, we want to make the historical practice of creating inventories visible and use the information to explore everyday life at the castles. For selected castles, we will combine historical data with results from building history to create virtual room books. Digital tools will allow presenting the relations of objects, spaces, individuals, actions, and social practices and provide results for the scientific community as well as for the interested public.

Digital twin of Runkelstein in dollhouse view, which can make the outer wall invisible. Screenshot, https://www.runkelstein.info/. © Runkelstein Castle, CC BY 4.0

 Bibliographic Record 

Antenhofer, Christina, Gruber-Tokić, Elisabeth, Hiebel, Gerald, Matschinegg, Ingrid, Posch, Claudia and Rampl, Gerhard. “Inventories as Keys to Exploring Castles as Cultural Heritage” Open Archaeology, vol. 11, no. 1, 2025, pp. 20240026. https://doi.org/10.1515/opar-2024-0026

 Project Website 

https://www.inventaria.at  

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Zur Materialität der historischen Quellen im Zeitalter der digitalen Edition

Ein Essay


Abstract

The essay discusses the consequence of digital methods in scholarly editing of historical sources. It comes to the following conclusions: Documents cannot be studied without taking the material features into account. Digital methods enable the editors to document those features relevant for the critical analysis of the source. The physical text bearing document is unique. It can never be reproduced but only referenced. Images, verbal descriptions, transcription and even more sophisticated reproduction techniques are only selective. In the digital edition the International Resource Identifier (IRI) of the semantic web is the best way to represent the original. Verbal descriptions have their own right against digital images and analysis methods of material science. Images are the cheapest way of editing, as they convey much information although not accessible for people lacking the necessary palaeographical skills. But computers can extract information from images, too. Verbal description needs controlled vocabularies to create machine readable versions of the human readable editions.

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Entanglements of Material and Virtual Worlds in Medieval and Early Modern Material Culture

Conference Report


Introduction

From 19th to 21st September 2023 the Interdisciplinary Center for Medieval and Early Modern Studies (IZMF) and the Institute for Medieval and Early Modern Material Culture (IMAREAL) at the University of Salzburg held the first conference dedicated to VIRMA. It was organized by the network members Christina Antenhofer, Elisabeth Gruber, and Alexander Zerfaß and aimed to understand the “Entanglements of Material and Virtual Worlds in Medieval and Early Modern Material Culture.”

Elisabeth Gruber outlined in her introduction the framework for further discussions, taken from the network’s mission statement which formed the basis for the call for papers of the conference: Materiality and virtuality do not form an irreconcilable binary opposition. Rather is it their productive interaction that produces the texture of meanings from which ‘realities’ are made. Based on the assumption that people generate culture in ever new processes of negotiation in the interplay of virtuality and materiality, the contributions to the conference explored how people generate virtuality, and how far they need sensual points of reference and a connection in and with the material world. In this context, the speakers also reflected on the potential associated with the virtualization of research data and the various stages of modeling and analysis, in particular the challenges associated with the digital transformation of material objects.

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Events

Materiality and Virtuality

Entanglements of Material and Virtual Worlds in Medieval and Early Modern Material Culture

Conference of the Interdisciplinary Center for Medieval and Early Modern Studies (IZMF) and the Institute for Medieval and Early Modern Material Culture (IMAREAL), University of Salzburg

Date: 19. – 21. September 2023

Venue: Krems/Donau

Organisation: Christina Antenhofer, Elisabeth Gruber, Alexander Zerfaß

The IZMF/IMAREAL conference 2023 is dedicated to the relationship between materiality and virtuality in the pre-modern era.

Materiality and virtuality do not form an irreconcilable binary opposition, it is, in our view, their productive interaction that in fact gives rise to the fabrics of signification in which ‘realities’ consist.  Based on the assumption that people create culture in continuously self-renewing processes of negotiation in the interplay of virtuality and materiality, the contributions explore how people generate virtuality, and how far they need sensual points of reference and connection in and with the material world.

In this context, we also reflect on the potential associated with the virtualization of research data and the various stages of modeling and analysis, in particular the challenges associated with the digital transformation of material objects.

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Der Körper als Schnittstelle von Materialität und Virtualität

 

Christina Antenhofer befasst sich in ihren Arbeiten mit Mensch-Objekt-Beziehungen im Mittelalter und in der Renaissance sowie mit Digital Cultural Heritage. Hier reflektiert sie über Körper, Materialität und Virtualität.


Der Körper spielt eine zentrale Rolle für Fragen der Virtualität und Materialität. Merleau-Ponty (1966) sah den Körper des Menschen, insbesondere die sinnliche Wahrnehmung, als vermittelnde Instanz zwischen den Konzepten Materialität und Virtualität. Dualismen wie Leib und Seele, Kopf und Hand, Geist und Körper verdeutlichen die eng im Körper angelegte Spannung zwischen materiellen und sozialen Aspekten. Sie verweist auf ein grundlegendes Wechselspiel zwischen materiellen und immateriellen Gegebenheiten, das historisch unterschiedlich benannt wurde. In den aktuellen Debatten übersetzen sich diese meist in die Gegenüberstellung zwischen materiell und digital oder weiter gefasst virtuell. Körper sind dabei weder vorsozial noch natürlich gegeben, sondern vergesellschaftet. Sie sind Zeichenträger, diskursiv geformt, historisch bedingt. Wie Körper definiert und verstanden werden, ist somit kontextabhängig. Der Körper lässt sich zudem nicht als ein Ganzes verstehen, sondern als eine komplexe Konfiguration (Mol 2002). Stuart Hall betrachtet den Körper als eine Art Naht, die das fragmentierte postmoderne Subjekt über eine Positionierung in Ort und Zeit zusammenhält (Hall 1996: 11; Cranny-Francis et al. 2003: 91).

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Virtualizing Hell

Invited by the IMAREAL, the specialist in German literature and theater studies Matthias Däumer has been working since November 2022 on a research program that deals with Medieval German-language afterlife journeys and their forms of reception in the courtly novel. His focus is broad and includes theories of space and perception as well as the possibility of describing the literarily depicted afterlife experiences as preliminary stages of the perception of virtual reality. 

Is there a virtuality avant la lettre? And how would one think about it in the Middle Ages?

This systematic project intertwines with several projects at IMAREAL that observe comparable interactions on the basis of medieval artworks and thus provide indications that virtuality did not first enter the world with postmodernism. The same applies to the sensory stimulus (sensing), which virtually takes place not because of the material, but because of its simulation.